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kritike in recenzije

Himeanôru (2016)

Himeanôru (2016)

Filmski kotiček, 5. januar 2017 ― aka Himeanole Slo naslov: - Angleški naslov: Himeanole Država: Japonska Jezik: Japonščina Leto: 2016 Dolžina: 99' ,  Imdb Žanri: Krimi, Triler Slo recenzija: - Režija: Keisuke Yoshida Scenarij: Keisuke Yoshida, Minoru Furuya (manga) Igrajo: Gaku Hamada, Gô Morita, Aimi Satsukawa, Tsuyoshi Muro, Ryusuke Komakine, Maho Yamada  [ENG] Susumu Okada (Gaku Hamada) is an ordinary man who works cleaning a building. Susumu’s colleague asks Susumu to be a cupid of love between himself and cafe worker Yuka (Aimi Satsukawa). When Susumu goes to the cafe where Yuka works at, he meets Shoichi Morita (Go Morita). Susumu and Shoichi Morita went to the same high school. Yuka, though, informs Susumu that Shoichi is stalking her. ************************* The moral universe of most films is simple: The good guys prevail, the bad guys are punished – and we are seldom in doubt as to who is who. But what if the bad guys deserve sympathy, even ones commit horrific crimes? Is that, in an industry prefers black and white to grey, even possible?  Yoshida Keisuke unhesitatingly answers “yes” in HimeAnole [Mark Schilling, Udine Far East Film] Ocena
The Autopsy of Jane Doe (2016)

The Autopsy of Jane Doe (2016)

Filmski kotiček, 4. januar 2017 ― Slo naslov: - Država: VB Jezik: Angleščina Leto: 2016 Dolžina: 86',  Imdb Žanri: Grozljivka Slo recenzija: Filmoljub Režija: André Øvredal Scenarij: Ian B. Goldberg, Richard Naing Igrajo: Emile Hirsch, Brian Cox, Olwen Catherine Kelly, Ophelia Lovibond [SLO] Zgodba se odvije v eni sami noči in bolj ali manj na isti lokaciji. Krajevna mrliška oglednika, vdovec Tommy (Brian Cox) in njegov sin Austin Tilden (Emile Hirsch), ki skupaj vodita družinsko podjetje patoloških storitev in sodne mrtvašnice, na mizo za obdukcijo v poznih večernih urah dobita truplo čedne neznanke (Olwen Kelly), na katerem ni vidnih sledov morebitne nasilne smrti. In to kljub temu, da jo je lokalni šerif (Michael McElhatton) pripeljal s prizorišča nedoumljivo krvavega zločina v soseščini, nadrejeni pa bodo od njega že naslednji dan zahtevali identifikacijo in uradno pojasnilo. Ampak simptomi in mrtvaški znaki mladenke so naravnost bizarni, nasprotujoči si in popolnoma neznačilni za pokojnika. [Filmoljub] [ENG] It's just another night at the morgue for a father (Brian Cox) and son (Emile Hirsch) team of coroners, until an unidentified, highly unusual corpse comes in. Discovered buried in the basement of the home of a brutally murdered family, the young Jane Doe-eerily well preserved and with no visible signs of trauma-is shrouded in mystery. As they work into the night to piece together the cause of her death, the two men begin to uncover the disturbing secrets of her life. Soon, a series of terrifying events make it clear: this Jane Doe may not be dead. The latest from Trollhunter director Andre Ovredal is a scarily unpredictable, supernatural shocker that never lets up. Ocena
Filmski večer DŠPK: Morje v meni @THL, 3. 1. 2017

Filmski večer DŠPK: Morje v meni @THL, 3. 1. 2017

Koridor, 4. januar 2017 ― Društvo študentov primerjalne književnosti nadaljuje s svojo tretjo sezono filmskih večerov v Trubarjevi hiši literature, tokrat z rdečo nitjo teme bega. Tokrat smo si ogledali film Morje v meni (Mar adentro, 2004) španskega režiserja Alejandra Amenábara, ki gledalcem zastavlja vprašanje, ali je evtanazija zares beg od življenja ali gre za prisebno odločitev bolnika, ki ne […] The post Filmski večer DŠPK: Morje v meni @THL, 3. 1. 2017 appeared first on Koridor – križišča umetnosti.
Aloys (2016)

Aloys (2016)

Filmski kotiček, 3. januar 2017 ― Slo naslov: - Drugi naslovi: We Are (Dead) Država: Švica, Francija Jezik: Nemščina Leto: 2016 Dolžina: 91',  Imdb Žanri: Drama, Fantazijski Slo recenzija: - Režija: Tobias Nölle Scenarij: Tobias Nölle Igrajo: Georg Friedrich, Tilde von Overbeck, Kamil Krejcí [ENG] Aloys Adorn is a middle aged private detective who lives and works with his father. He experiences life from a safe distance, through a video camera he keeps recording 24 hours a day, and the massive collection of surveillance tapes he organizes and obsessively watches at home. But when his father dies, Aloys is left on his own and his sheltered existence begins to fall apart. After a night of heavy drinking, Aloys wakes up on a public bus to find that his camera and precious observation tapes have been stolen. Soon after, a mysterious woman calls to blackmail him. She offers to return the tapes if Aloys will try an obscure Japanese invention called 'telephone walking' with her, using his imagination as their only connection. As he is drawn deeper and deeper, falling in love with the voice on the other end of the phone, the woman opens up a new universe that may allow Aloys to break out of his isolation and into the real world. [New Europe Film Sales] ***************** A highly inventive, slightly overstretched fable of a loner's clashing states of consciousness, this promises bigger things from Swiss helmer Tobias Nölle. [Guy Lodge, Variety]  Ocena

Marija Dejanović: Ko sem bila nekdo v kogar si se zaljubil

Koridor, 3. januar 2017 ― 1. Dva sta danes z mehanskimi gibi merila nebo kot da streham, drevesom, pticam spajata vrhove. Bila sem redkost, polegala sem te na zemeljski del in s pogledom združevala koleno, rame in nos.   Zdaj štejem dneve, kot da so mrtveci. Merim jim obseg, jih tehtam in tolažim. Nekoč sem bila nekdo v kogar si […] The post Marija Dejanović: Ko sem bila nekdo v kogar si se zaljubil appeared first on Koridor – križišča umetnosti.
Zemljevidi tujih življenj, Brezbarvni Tsukuru Tazaki in njegova leta romanja, Postaja Tajga, O bivanju in krajih

Zemljevidi tujih življenj, Brezbarvni Tsukuru Tazaki in njegova leta romanja, Postaja Tajga, O bivanju in krajih

ARS S knjižnega trga, 3. januar 2017 ― V oddaji S knjižnega trga se bomo posvetili romanom Mihe Mazzinija Zemljevidi tujih življenj, Harukija Murakamija Brezbarvni Tsukuru Tazaki in njegova leta romanja in Petre Hulove Postaja Tajga ter potopisnim esejem Mathiasa Rambauda O bivanju in krajih. Recenzije so napisali Ana Geršak, Matej Bogataj, Maja Žvokelj in Mare Cestnik.
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